Page 160 - Ahmed- Nawar
P. 160
l of a Nation, felt-tip pens on paper,39.5 × 29.5 cm, 2017:2018
those black overlapping superficial faces that took the character
of an ugly mask with black teeth like spears and frightening eyes
staring into the darkness of the mass. In the collection of "Will of a
Nation" in which the message of Nawar reached its ultimate trag-
ic end by using scraps of "photographs" woven into his drawings
using the collage technique in the middle of the split mass, where
the scraps depict photographic clips of the scourge of war and the
horrors of terrorism among scenes of murder, slaughter, fires, and
the bodies of the martyrs soaked in the color red, the color of blood
and fire.
In the collection of "Penetrating the Bar-Lev Line" 2021, Nawar
presents the beginning of a new stage to express the genius of this
event that changed the scales of the world. Nawar tries to depict
the miracle of penetration: an army in a confrontation that extends
for a length of 160 km with another army that is more equipped
and powerful in terms of military scales separated by a channel of
120 meters and defeats it. In most of the artworks of this collection,
Nawar presents two opposing masses that occupy the space of
each painting on an inclined axis that confirms the movement. The
mass in each of them takes the form of a cocoon in which energy
158
those black overlapping superficial faces that took the character
of an ugly mask with black teeth like spears and frightening eyes
staring into the darkness of the mass. In the collection of "Will of a
Nation" in which the message of Nawar reached its ultimate trag-
ic end by using scraps of "photographs" woven into his drawings
using the collage technique in the middle of the split mass, where
the scraps depict photographic clips of the scourge of war and the
horrors of terrorism among scenes of murder, slaughter, fires, and
the bodies of the martyrs soaked in the color red, the color of blood
and fire.
In the collection of "Penetrating the Bar-Lev Line" 2021, Nawar
presents the beginning of a new stage to express the genius of this
event that changed the scales of the world. Nawar tries to depict
the miracle of penetration: an army in a confrontation that extends
for a length of 160 km with another army that is more equipped
and powerful in terms of military scales separated by a channel of
120 meters and defeats it. In most of the artworks of this collection,
Nawar presents two opposing masses that occupy the space of
each painting on an inclined axis that confirms the movement. The
mass in each of them takes the form of a cocoon in which energy
158
